Blues/Review BLUES.NOIR - Främlingar på tåg
That’s the mission statement and vision of BLUES.NOIR hails from the musically acclaimed city of Gothenburg, Sweden (also home to Monolord, At the Gates, In Flames, Dark Tranquillity, Graveyard, and countless other bands). As the blues over decades has become ever more stagnant, turned into easy listening, or performed in concert halls, this power trio brings it back to pummeling rhythms, amp volume, and blistering guitar.
With “Främlingar på tåg,” BLUES.NOIR delivers a thunderous testament to how blues rock can evolve without losing its roots — and how singing in one’s own language can deepen, rather than dilute, the genre’s emotional punch. Billed as “the heaviest blues ever, in Swedish,” the track lives up to its claim. It’s raw, unvarnished, and unapologetically muscular, yet it carries a melodic sophistication and lyrical perspective that set it apart from traditional blues frameworks.
BLUES.NOIR leans into classic blues rock grit — grinding guitars, a rhythm section that feels like steel on rail, and a vocal delivery charged with gravel and fire — but the Swedish lyrics transform the experience. The band doesn’t merely translate blues tropes; they reshape them. Instead of familiar Americana imagery, the narrative unfolds with Nordic tension: cold night trains, guarded glances between strangers, and the quiet ache of isolation moving at 120 kilometers per hour. It’s blues through a Scandinavian lens, giving the genre a stark cinematic quality.
Melodically, the track bends the rules. While the foundations remain satisfyingly heavy, the hooks are unexpectedly fresh, weaving minor shifts and haunting intervals that amplify the song’s sense of movement and unease. The chorus lands with particular force — a collision of weight and melody that lingers long after the final chord fades.
“Främlingar på tåg” is both homage and reinvention. BLUES.NOIR honors the rugged spirit of blues rock while asserting a voice entirely their own, proving that the genre still has unexplored tracks waiting in the dark.